Is Tolstoy, Beethoven. I do not like this world has a lot of talking history, in my view, the history of the world, many of the nation, only "Bible" in the best their nation maintained a sorrowful attitude of compassion in it gaze own path. National history and more, all like to show off and display of chauvinism. In this
Selfexpansion in the right direction is hard to find.
 
"1900" the same as well. For "1900", I want to say is, this might seem an atmosphere with extraordinary tension in the film, but it still can not become an epic. Although the last century is an epic era, filled with forgotten, mind, betrayal, friendship, alienation, vicious, cruel, to give up
And reincarnation, but we have not found the best way to look back. The variables are too many people impatient and in the Pacific, we are always ass, powerless or weakly.
 
 
For all people who love film, Pasolini like an insurmountable threshold of hell. His films are always floating a stream of Shen’s chilly wind, creepy.
 
I also have this

The landscape around them become increasingly blurred. Sometimes watched Bertolucci imposing appearance to the wave, I always think, what this guy meant where are they? I am really confuse, Bertolucci what you want to show.
 
Writing a few friends that day with talk Jia and Chen Zhongshi, said they not agree among each other in the west. I said at
The time, contrast, or Lao Jia little more success. Not that the content of the work, Jia should be said that there is a significant contribution to Chinese people. And Chen Zhongshi it, even though the "White Deer" then great, but can not be said that an epic, right? Epic, How can it be done all the contemporary people, at
Least, was carrying, was inclusive, and, the next generation of people had to admit it.
 
I am telling the truth. Epic, like Everest, it should be a kind of mountains with the wind on the stern, Qinglie, tolerance, wisdom, and no desire is just; In addition, there should be a kind of pathos, like the "Bible" or "Homer "; there

Great actor De Niro, the other is France’s most famous actor Delpas about . 1976 De Niro and Delpas about very young. In particular, De Niro looks delicate and refined, handsome and elegant; which, as was all of a sudden grow upside down, seems to make a clean break with their own before, not only that, De Niro and Delpas
About can be considered a sacrifice for the Bertolucci They even sacrificed their own "hue"  In the movie, even with De Niro and Delpas about the  lens  in my opinion, this lens is also not necessary, is clearly exposed as blunt Bertolucci thinking "rock" of a performance. Bertolucci is a guy riding a horse galloping at random.
 
Because the reason
For the lack of the reins, in this over more than five hours of movies, in addition to seeing the film is presented in yellow is magnificent, the in most of the time, we can only feel soft and Procrastination movie to see Bertolucci’s wishful thinking to act willfully. He Xinmayoujiang to ride in the wilderness, the total disregard for

In 1945, Mussolini was shot guerrilla, Amy revolution ushered in the farm, olmo with tenants in a small side of the square erected a huge red flag, and Alfred were public trial  but all in all, looks like a melodrama of black humor. End of the film, olmo, and Alfred are old, their waist with shrimp Koh, gray hair and
Whiskers, but they still like a child as slapstick, whitehaired Alfred approaching train at the distant , lying on the tracks … …
 
Making the film, Bertolucci’s "Last Tango in Paris" was a great commercial success, ambitious, he of A&F Bags course want to make one than the "Last Tango in Paris," more content span the epic. "1900" the time span of
At least 80 years. Think about it these 80 years, this period of time, may be regarded as the richest in human history, ideas have the greatest time span. All kinds of thoughts beautifully, the dawn of a complex and colorful era. Selection from the film actor’s situation, you can permit  ambition: Two male character, the Hollywood actor is a

In addition to Bertolucci, in addition to Pasolini, as well as Fellini, Antonioni there … … and even a film that has been shot three Tinto Brass, from their people, and I also appreciate to a kind of intricate  straightforward, casual, black humor; also, a shallow hysteria. This hysteria is a right of national temperament. Perhaps Bertolucci’s eyes, history itself
Has been comedy with a character, cruel, violent, wild, uncontrollable, like "The Last Emperor" as last seen with was Grasshopper.
 
Come back to say "1900"  this movie, it seems from the outset with a degree of epic  great Italian composer Giuseppe Verdi in 1900 died that day, the farmer’s grandson Alfred At the same time with the tenant’s grandson olmo
Born  at the beginning of the fate of the halo there. Very different backgrounds and life experience to decide the two men in the life of the Competition and the struggle, they also determine his lifelong. They took a different path  olmo eventually become a communist fighter, Alfred is a matter of course when the landlord. After World War II

Shaking, it was not shake the picture, but thought the ups and downs. This rock is euphemistically called "swing", an euphemism for simply "confusion." In my opinion, Bertolucci seems to have lacked a firm and clear thinking, which makes his films have been moving in the sky like a shooting  a bullet disappeared, shell elegant landing. Bertolucci some of the
Film, such as "Last Tango in Paris", such as "Stealing Beauty", "Dreamers," and so on, to a large extent are intricate and messy, difficult to grasp. At this point, I even think Bertolucci than his colleagues Pasolini: Pasolini is the surface of the confusion, but in actuality, they have a firm and clear, even transparent; and Bertolucci then, the Italian
Communists, in his film, obviously has no control of the scattered, there is a backbone of a result because there is no fuzzy  that the state, making the film hypocritical and arbitrary, the same distribution as the fog landscape the confusion and lust.
 
Films such as human. In fact not only Bertolucci, in my opinion, a lot of Italian movies.

Export. And pessimism and optimism can also penetrate each other, interacting with each other, and really optimistic, but is extremely pessimistic detachment. Antonioni showed me, the only common human depression is a common confusion. It should not be pessimistic, but an optimism and pessimism are interlinked and true emotions.
 
Antonioni is the skill of "Buddha". As with Yasujiro Ozu, Antonioni’s
Films are built for life of "a" and "no" relationship. He used the film’s "yes" to verify that "no", an insurmountable void.
 
 
Bertolucci up to 5 hours of the movie "1900" finally disc version, but the disc version of amendment was also very beautiful, clear picture quality, sound, rich texture. It took a friend two nights after reading, ask me
What the movie experience. I thought, said: "You wait, let me clarify what he thought, then, think of how to answer."
 
On Bertolucci, I really want to stop and think properly. I hope that one of the most quiet of the state, to explore a path leading to his You Mi. See Bertolucci’s film, I always feel a kind of

"cloud on the day" in the process, the time he is 82 years old, and almost aphasia. But he still clearly in command, he is using his "understand", to create a "understand" the movie.
 
A person’s character is the essence of his work. For Antonioni, in his heart has always been sensitive, helpless, suspicious look so weak, so he has
Been alienated, but it also wandered, but the characteristics are far more powerful things that seemingly strong. This is a rooted thing, it has strong tentacles connected to the unknown. Like black and white against the Abercrombie-Fitch Chain color, sometimes shy and weak that it has a unique inner strength.
 
Antonioni has always wanted to shoot the kind of heart the desire
To arch action. But what is true? This is his most confusing things. Desire can be said with all the hypocrisy, what is real too! Therefore, only despair, or numbness, as dead as the living. I always do not like "born pessimist," words such as "pessimistic" and "optimistic" at the deepest level are linked, they have the same import and

The most written and Antonioni with the dispute. His anger, his anguish, the debate between them, more purpose and meaning not in the sense, but in how performance. Therefore, Antonioni said: "I do not want to like the structure, but to reproduce those things like the hidden tension, carried out a blossoming tree of tension."
 
Antonioni obviously did. "Cloud on
The day" do not appear to explain a philosophical point of view. For Antonioni, the philosophy and even simple, nor is his responsibility. He would like to express is this kind of human thought and the confusion shown in the film tension.
 
"Understand" and "no"
 
Many people say that Antonioni was not thinking of a movie, his film, is a
Kind of Ruoyouruowu, uncertain mood. Seems to really like this. My feeling is that sometimes thinking is not important, the kind of delicate feeling that counts. Perhaps the idea that innate sense in the long included. As long as a whole to understand, it was enough. As can say it does not seem important down. Like Antonioni in the film

A detached position, to find, build, embarrassed, powerless.
 
 The other side of God is such a position, right?
 
In the "cloud on the day" the end, that seemed strange and cold aside director said: "Behind each image there were more loyal to the reality, and in that image after another, again and again, endless, Until that absolutely no one can
See, the enigmatic ultimate reality. "Antonioni’s ideas are not difficult to understand, he shared the view that the existence of our world is only a" shadow world ", and" shadow "has been hidden behind the non Lucy is "philosophy in the world." This kind of statement with the Hegelian thinking. Do not know if Antonioni is not affected by Hegel,
But as a master, in terms of ideology coincides with, or close the same way, "truth" is not hard to understand things. But what is certain is that Antonioni obviously intended in the final swan song, the show he views the world as a whole, to express their final Gordon thorough. In "time together with Antonioni", the Wim Wenders is